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Irene Papas Contact Details
NAME: Irene Papas
DOB: 3 September 1926 (age 95 years)
BIRTHPLACE: Chiliomodi, Greece
BIRTH SIGN: Virgo
HEIGHT: 5’2″ feet
FATHER: Not Known
MOTHER: Not Known
PROFESSION: Greek actress
YOUTUBE CHANNEL: NA
Who is Tony Bennett?
Irene Papas or Pappas (Greek:, romanized: Eirni Pappá, IPA: [irini papa]), born Irene Lelekou (Greek: o, romanized: Eirni Lelékou; on 3 September 1926), is a Greek actress and singer who has appeared in over 70 films over the course of her 50-year career. Films like The Guns of Navarone (1961) and Zorba the Greek (1962) helped her acquire international prominence (1964).
In films like as The Trojan Women (1971) and Iphigenia, she played a strong female lead (1977). Antigone (1961) and Electra (1962) were both directed by her (1962).Papas earned Best Actress prizes for Antigone and The Trojan Women at the Berlin International Film Festival.
In 1993, she won the Golden Arrow Award at the Hamptons International Film Festival, and in 2009, she won the Golden Lion Award at the Venice Biennale. Papas was born in the town of Chiliomodi, near Corinth, Greece, as Irene Lelekou (). Her mother, Eleni Prevezanou (), was a teacher, while her father, Stavros Lelekos (),, was a classical drama teacher at Corinth’s Sofikós school.
She recalled that as a youngster, she was always playing, constructing dolls out of rags and sticks, and that when a touring theatre came to the hamlet to perform Greek tragedies with the women pulling their hair, she would tie a black scarf around her head and perform for the other children. When she was seven years old, her family relocated to Athens.
She studied dance and singing at Athens’ Royal School of Dramatic Art from the age of fifteen. She felt the School’s acting approach to be old-fashioned, formal, and stylized, and she fought against it, having to repeat a year; she graduated in 1948. Before coming into film in 1951, Papas began her playing career in Greece, performing in Ibsen, Shakespeare, and classical Greek tragedy.
She continued to act on stage from time to time, including in Athens’ Greek Popular Theatre in 1958 and in New York’s Jerome Lawrence and Robert E. Lee’s Inherit the Wind. In 1968, she starred in Broadway’s Circle in the Square Theatre’s production of Iphigenia in Aulis, and in 1973, she starred in Medea. Clive Barnes of The New York Times praised her as a “really excellent, controlled Medea” who smoulders with a “carefully muted fury” and is always angry.
Both Barnes and Kerr sensed “her unyielding resolve and unwavering quest for justice” in Papas’ portrayal of Medea. Albert Bermel praised Papas’ performance as Medea as a sympathetic woman. She featured in the Circle in the Square productions of The Bacchae in 1980 and Orpheus Descending in 1984, as well as Electra at the Ancient Theatre of Epidaurus in 1985.
Her debut film role was in Nikos Tsiforos’ Fallen Angels, which she appeared in in 1948. (Greek, “Hamenoi angeloi”). Her role in Frixos Iliasis’s 1952 film Dead City, however, drew her notoriety (Greek, “Nekri Politeia”). Papas was pictured spending time with the affluent Aga Khan at the Cannes Film Festival, where the film premiered.
She chose to try her luck abroad, signing with Lux Picture in Italy, where the publicity for her cinematic Dead City was enough to launch her as a film star. She made her Hollywood debut in Lux’s ] 1954 features Attila and Theodora, Slave Empress. Many more films were made after it, both in Greece and abroad.
With her stunning depiction of the doomed heroine in George Tzavellas’ Antigone (1961) and Michael Cacoyannis’ Electra (1962), she established herself as a key character in movie adaptations of ancient tragedy.
She portrayed Helen alongside Katharine Hepburn in Cacoyannis’ The Trojan Women (1971), and Clytemnestra with “smouldering eyes” in Iphigenia, according to The New York Times (1977). Papas learned Italian and directed a number of films in the language.
Cacoyannis, on the other hand, was the only director with whom she felt truly at ease, describing herself as “too docile” to challenge other filmmakers. Cacoyannis claimed that she influenced his decision to make Iphigenia, establishing his vision of Clytemnestra with her force and physique, as well as her un-self-pitying, impersonal rage at life’s injustices, which he believed actors from oppressed countries like Greece could access.
Papas’ performance in The Trojan Women was characterised by Alejandro Valverde Garca as “the most believable cinematographic Helen that has ever been shown,” with the script prepared specifically for her.
Papas made her American cinema début as Jocasta Constantine in the Western Tribute to a Bad Man (1953), with James Cagney (1956).She subsequently went on to star in films like The Guns of Navarone (1961) and Cacoyannis’ Zorba the Greek (1964), both of which were based on Nikos Kazantzakis’ novel of the same name and featured Mikis Theodorakis’ music, gaining her international renown.
She plays a resistance warrior in The Guns of Navarone, which adds a love interest and a strong female character to Alistair Maclean’s novel.Katsan says she plays a “hard as nails” partisan in The Guns of Navarone, who is “capable, unafraid, stoic, patriotic, and heroic”; she kills the traitorous Anna when the men hesitate; but, despite her romantic feelings for Andreas (Anthony Quinn), she remains “cool and rational,” revealing little of her sensual persona; she is as tough as the men, but she is contrasted with them
“Dark and passionate as the widow,” Bosley Crowther described her performance in Zorba. The “sensual widow” in Zorba, according to Gerasimus Katsan. Katsan describes herself as “the lovely and tortured widow” who is eventually hunted to death by “elemental nobility,” as Vrasidas Karalis put it.
According to Jefferson Hunter, Papas’ sharp intensity in her side role served to elevate Zorba from being just a “exuberant” picture. Despite the honours and acclaim, she did not work for two years following Electra, and she was unemployed for 18 months after Zorba.
Although it was her most successful film, she only made $10,000 from it, according to her. Papas starred in critically praised films including Z (1969), in which her portrayal of a political activist’s widow was dubbed “indelible.”
In 1969, she starred alongside Richard Burton and Geneviève Bujold in Anne of a Thousand Days as Catherine of Aragon. She starred in the film Mohammad, Messenger of God, about the origins of Islam, which was released in 1976.
She starred alongside Anthony Quinn, Oliver Reed, Rod Steiger, and John Gielgud in the 1982 film Lion of the Desert. Captain Corelli’s Mandolin, which she starred in in 2001, was one of her last cinematic appearances. , in which she recreated her strong peasant woman from The Guns of Navarone and the widow from Zorba to some extent, but was underused. She married Alkis Papas, a film director, in 1947 and divorced in 1951.
She met actor Marlon Brando in 1954 and the two had a long and secret love affair. She remembered this fifty years later, when Brando died “I’ve never loved another man as much as I did Marlon. He was my life’s major passion, the man I cared about and admired the most, two things that are often impossible to reconcile ”
In 1957, she married film producer José Kohn, which was later annulled. She is Manousos Manousakis’ aunt, and Aias Manthopoulos is her nephew. She was a member of the board of directors of the Anna-Marie Foundation in 2003, a foundation that helped residents in Greece’s rural districts. She was diagnosed with Alzheimer’s disease five years ago, and it was disclosed in 2018.
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1. Irene Papas Instagram: https://www.instagram.com/fitqueenirene/?hl=en
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3. Irene Papas TikTok: NA
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4. Irene Papas Youtube Channel: NA
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5. Irene Papas Phone Number, Email, House Address
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Irene Papas’s phone number: Not Available
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Fanmail Address of Irene PapasIrene Papas
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